Professional Photography
Magazine, editorial, portrait, documentary, commercial, and independent photographic work—continued through the present practice.
Photographer · Research-based Photographer · Tokyo
Photography and research, beauty and thought. Tokyo and Cities.
FUJIYOSHI Takao photographs people, bodies, cities, aircraft, air bases, spectators, and the spaces in which public images are made. His practice moves between FOXTROT—a world of actress-like presence, anonymity, bodies, cities, fantasy, and story—and BLUE, a photographic and sociological project on Blue Impulse and society.
Photography © FUJIYOSHI Takao
Mirror / Fantasy / Body / City
FOXTROT is the central photographic world of FUJIYOSHI Takao. It begins from a clear destination: an erotic-art photobook souvenir made to travel through international airports and cities. Shooting is the core. Bodies, rooms, streets, actresses, anonymity, and encounters become photographs and are shaped into photobooks, exhibitions, web works, prints, and saleable editions.
FOXTROT / Story Photobooks
A woman is not treated as an interchangeable model. She appears as an actress within a photographic world. The photograph carries her presence, the place, the time, and the photographer’s fiction together.
The work can move from clothed portraits to masks, lingerie, bodily expression, and art nude. Each route remains part of the same photographic practice: making a strong image, shaping it into a work, and sending it into society.
Beauty, cuteness, and the unnameable something beyond them.
The body begins with a line.
The photograph that makes us keep looking.
Bodies, timing, air, and the instant of leaving the ground.
Anonymous presence, bodily expression, transformation, and photographic fiction.
Window / Reality / Air / Society
BLUE is not research alone. It is the photographer’s work of photographing Blue Impulse, aircraft, air bases, spectators, commemorative objects, and aerobatic display spaces—then tracing how those images, memories, institutions, and public events interact across society.
Blue Impulse STS Research Photo Exhibition
A Transpac Journey from Nellis to Nagano
Seventy photographs follow Blue Impulse from its 1997 real-world debut in the United States to its media-world reappearance at the Nagano Winter Olympics. The photographs serve as both works and catalysts for collecting memories, records, testimony, and objects.
BLUE · Golden Blue 1997
Photographer / Work / Recognition
FUJIYOSHI began professional photography in 1992 with AXIS and SPA!. Since June 2010, he has expanded the same continuing photographic practice into research-based photography, writing, university education, exhibitions, and photobook production.
Magazine, editorial, portrait, documentary, commercial, and independent photographic work—continued through the present practice.
Twenty solo photographic exhibitions in Japan, including research photo exhibitions that combine photographs, archives, testimony, and public participation.
Selection committee member. Former member of the Japan Magazine Photographers Association; current member of the Photographic Society of Japan.
International work includes serving as a stringer for Hong Kong’s EASY FINDER, working at the Al Jazeera Media Training and Development Center in Doha, Qatar, and producing a commissioned Tokyo fashion report for the U.S. web edition of Playboy.
At Nagoya University, Hokkaido University, and the National Institute of Informatics, he worked in science and technology communication and journalism. His doctoral research examines the interaction between Blue Impulse and society. His fields include urban media, bodily representation, photographic history, photographic media, photographic printing craft science, applied physics, and science and technology studies.
These are not separate identities placed beside photography. They are materials, methods, institutions, and social routes through which the photographs are made, exhibited, published, sold, and discussed.
Actress / Muse / Collaboration
FUJIYOSHI is looking for women who want to appear in his photographic works as actresses—not simply as interchangeable models. No previous acting or shooting experience is required. The work begins with photographing your atmosphere, expression, posture, movement, and presence.
A project may continue into web works, exhibitions, photobooks, prints, and saleable editions. Clothed portraiture, masks, lingerie, bodily expression, and art nude can belong to different depths of the same photographic world.